A personal encounter with MS. Lat. liturg. f. 4 by Marlene Schilling For my generation it is perfectly normal to meet a partner first online, with dating apps on the rise during the pandemic – but the ultimate desire is to meet in person. This is the story of such a longed-for encounter in the flesh, …
Digital Editions Live: Launching the Oxford History of the Book Projects 2021
Taylor Editions and the Centre for the Study of the Book present: Digital Editions Live – Launching the Oxford History of the Book Projects 2021 The series presents projects which have been developed by Master students in the Faculty of Medieval and Modern Languages as part of their ‘Method Option’ Palaeography, History of the Book, Digital …
‘Digital Editions Live’ – Workshop 25 June 2021, 3-5pm
in cooperation with OCTET and Dark Archives. Insights from the Series of ‘Digital Editions Live’ launches Developing a framework for digital editing and exploring manuscripts online Reflections on preparing digital editions in times of lockdown Development of new digital methods for teaching History of the Book Further Perspectives in conjunction with the Oxford Centre for Textual Editing …
Digital Editions Live: Launching the Oxford History of the Book Projects 2021
Taylor Editions and the Centre for the Study of the Book present: Digital Editions Live – Launching the Oxford History of the Book Projects 2021 The series presents projects which have been developed by Master students in the Faculty of Medieval and Modern Languages as part of their ‘Method Option’ Palaeography, History of the Book, Digital …
Coding the Humanities: My Time as an Intern in German Medieval Studies
by Eva Neufeind At the beginning of December 2020, I was accepted to spend Hilary Term 2021 as an intern for Henrike Lähnemann, professor for German Medieval Studies at the University of Oxford. The connection between Henrike Lähnemann and me was established by Professor Eva Schlotheuber (Düsseldorf), who suggested it would be fruitful to learn …
‘Narrenschiff’ goes digital
by Agnes Hilger On 10 May this year, the 500th anniversary of Sebastian Brant’s death will be commemorated by launching the final version of Narragonien Digital – the new digital ‘Narrenschiff’ edition created at the University of Würzburg. Joachim Hamm, who has been leading the project together with Brigitte Burrichter, was a guest at the …
The last of my kind
Impressions from my work as an Erasmus intern at the University of Oxford Agnes Hilger At the end of 2020, the UK did not only leave the EU but also the Erasmus programme. Despite of that, I was accepted for an Erasmus internship for Hilary Term 2021 with Prof. Henrike Lähnemann, who introduced me to all …
What I’ve learnt: a retrospective of my time in Oxford
When Prof. Lähnemann attended one of our seminars at the university of Würzburg the other day and told us about the Taylor Editions and the possibility to work on one of these edition projects as a part of an internship, I was instantly thrilled. As I had already spent a few months on an edition …
An Appeal for Annotations: Alfonso de Palencia’s ‘Vidas Paralelas’
After an eventful life as a chronicler, translator, and lexicographer in the turbulent world of 15th Century Spain, Alfonso de Palencia settled down in Seville to produce what would be one of his final published works. Born in 1423, he spent ten years of his youth studying in Italy alongside some of the most prominent …
“It was itself named Albion”: Learning to Print with an Albion Press
(Part 2) Printing an anniversary card for Sebastian Brant at the Bodleian Bibliographical Press On March 4th, Agnes Hilger and I got a broad insight into the process of typesetting and printing in the Bibliographical Press of the Old Bodleian Library. In a previous blogpost, Agnes describes movable type, an invention that was revolutionary for …