Researchers at Oxford and Manchester are working on a research project combining computer vision and human perception to improve ‘optical collation’ – the spotting of differences in printed books. This collate-a-thon provides an opportunity to learn about typographical variance in books and why it matters to book historians, and to make a contribution to our …
Category: About HoB
Information session: Graduate Exchange Places for German at the University of Oxford
Are you interested in the study of Modern Languages on an advanced degree level? Would you like to be part of a large research community spanning seven languages, with research interests ranging from Medieval Studies all the way to Contemporary Literature Studies? Would you like to spend 9 months at one of the oldest universities …
Cohort of 2025/26 Add to the History of the Book Timeline
Written by Delilah Pearson, MSt. in Modern Languages 2025 Week one of Michaelmas saw this year’s History of the Book cohort gather for the first time – M.St. Modern Languages students with a range of specialisms, brought together by their curiosity about, among other things, palaeography, conservation techniques, and discussions surrounding books as cultural objects. As we trickled …
History of the Book Projects 2025
Eighth week of Michaelmas brought the moment we had all been waiting for… having spent the term learning from the experts, it was time for the History of the Book students to put all their newly-founded knowledge into practice. With over a million special collections items to choose from, finding a project was no easy …
Don’t ignore the binding!
by Viviane Arnold, MSt. Modern Languages As the term slowly is coming to the end we had another highlight in our History of the Book course. The class was taught by Andrew Honey, a Book Conservator from the Bodleian Libraries who gave us exciting insights in the method of bookbinding and showed us how the …
In the beginning was the book
by Charlie Burrows (MSt. Modern Languages) Over the holidays, this year’s History of the Book class was set the simple but daunting task of choosing a book to present to the class during their first session of Michaelmas Term. Students might have been lured into thinking this to be an easy task when compared to …
Of a Certain Type: Dialogues and Dancing Death in the Bodleian Bibliographical Press
By Molly Bray (MSt in Medieval Studies) For our first session as book-historians-in-training, we asked the question, ‘what is a book?’ Is it the form, the function? Now, for our second session, we get to see and, indeed, operate the mechanics that make one. Held behind a large wooden door and the once-accurate waymarker of …
Sola Scriptura, sed quomodo scriptum?
The Presentation of Holy Texts Wilfried Kuugauraq Zibell, MSt. Yiddish Studies In the beginning was the Word, and the Word was with God, and the Word was God. – John 1:1 (KJV) The relationship between the written word and religion is, for the Abrahamic faiths and the regions where they have historically predominated, inextricable. The …
Pressing Matters
By Giovanna Truong (MSt Yiddish Studies) Oxford’s former Schola Musicae stands tucked in a corner of the Bodleian Old Library quadrangle. In modern times, neither harmonized voices nor metred strums resonate from behind that wooden door; rather, a different rhythm altogether emerges. The clack of type, the punch of the press, the busy murmurs of …
Book Launch and Exhibition; The Lailashi Codex: The Crown of Georgian Jewry
“One hundred and fifty years after the first news on the manuscript, Thea Gomelauri’s The Lailashi Codex presents the first and long-awaited study of one of the most ancient Hebrew Pentateuch.”
This publication brings the fascinating history and content of the Lailashi Codex to the public domain, for the first time, tracing its turbulent journey replete with mysteries, imprisonments, executions, inaccurate references, conflicting records, unsubstantiated claims, possessions and re-possessions, controversies, and miracles, and ending with a most surprising discovery and the hope of addressing issues related to the cultural memory of this exquisite artefact.






