Taylor Editions and the Centre for the Study of the Book present: Digital Editions Live – Launching the Oxford History of the Book Projects 2021 The series presents projects which have been developed by Master students in the Faculty of Medieval and Modern Languages as part of their ‘Method Option’ Palaeography, History of the Book, Digital …
Category: Posts
Coding the Humanities: My Time as an Intern in German Medieval Studies
by Eva Neufeind At the beginning of December 2020, I was accepted to spend Hilary Term 2021 as an intern for Henrike Lähnemann, professor for German Medieval Studies at the University of Oxford. The connection between Henrike Lähnemann and me was established by Professor Eva Schlotheuber (Düsseldorf), who suggested it would be fruitful to learn …
‘Narrenschiff’ goes digital
by Agnes Hilger On 10 May this year, the 500th anniversary of Sebastian Brant’s death will be commemorated by launching the final version of Narragonien Digital – the new digital ‘Narrenschiff’ edition created at the University of Würzburg. Joachim Hamm, who has been leading the project together with Brigitte Burrichter, was a guest at the …
The last of my kind
Impressions from my work as an Erasmus intern at the University of Oxford Agnes Hilger At the end of 2020, the UK did not only leave the EU but also the Erasmus programme. Despite of that, I was accepted for an Erasmus internship for Hilary Term 2021 with Prof. Henrike Lähnemann, who introduced me to all …
What I’ve learnt: a retrospective of my time in Oxford
When Prof. Lähnemann attended one of our seminars at the university of Würzburg the other day and told us about the Taylor Editions and the possibility to work on one of these edition projects as a part of an internship, I was instantly thrilled. As I had already spent a few months on an edition …
“It was itself named Albion”: Learning to Print with an Albion Press
(Part 2) Printing an anniversary card for Sebastian Brant at the Bodleian Bibliographical Press On March 4th, Agnes Hilger and I got a broad insight into the process of typesetting and printing in the Bibliographical Press of the Old Bodleian Library. In a previous blogpost, Agnes describes movable type, an invention that was revolutionary for …
Movable Type
Part 1 of: Printing an anniversary card for Sebastian Brant at the Bodleian Bibliographical Press Agnes Hilger A snippet from my school knowledge memorised some time ago: Johannes Gutenberg invented “letterpress printing with movable type”. As is so often the case with such facts, I didn’t really think about it much at the time and just put it …
Translating Parchment: Deciphering Medieval German for Art in Translation
A special issue on parchment will appear this September 2021 in Art in Translation Caroline Danforth One’s interests can ebb and flow unpredictably…and I have observed how some of my own passions have quickly bloomed…and then swiftly subsided. One such “flare-up” (which I feared would prove temporary) developed twenty-two years ago after being blind-sided by …
Ovid Metamorphosed: The Hidden History of MS. Douce 117
Carrie Heusinkveld The narratives lurking just beneath the surface of a book – the intertwining threads of its inspiration, creation, and original owner – are frequently overshadowed by the story told by the visible words on the page. However, investigating this hidden history often uncovers a surprisingly complex web of movements and connections traversing physical, …
Teams Teaching Codicology. The Joy of Opening Manuscripts during Lockdown
Yesterday, in preparation for a Gregorian chant workshop and as part of the History of the Book show-and-tell sessions, Dr Andrew Dunning, R.W. Hunt Curator of Medieval Manuscripts at the Bodleian Library, University of Oxford, opened the Handbook of the Medingen Provost, Bodleian Library MS. Lat. liturg. e. 18. A full digitised copy is available, thanks to …